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Just some of the 24 instruments that make up the 'SC_SPM_lite' Multi. Prominy have put 64GB of lovingly sampled Stratocaster into their SC instrument. That's a lot of Stratocaster — so does the end justify the means? I love guitars — but sadly, I never learned how to play them. Do I hear sighs of relief? It's just as well, then, that various acoustic and electric guitar‑oriented virtual instruments have been appearing on the market — perfect toys to satisfy the urges of would‑be axe‑thrashers like me. Japanese company Prominy's latest offering on this theme is SC Electric Guitar, a sample‑based virtual instrument dedicated to reproducing the iconic sound of the Fender Stratocaster in some considerable detail.

To get an idea of SCEG's true metier, it's well worth catching the impressive video and audio demos on Prominy's web site — they're performed by SCEG's creator, Akihito Okawa. The overtly rock and heavy metal stylings make it quite clear where Mr Okawa is coming from!

If you're interested in emulating expressive, overdriven rock guitar performances, then SCEG could be just what you've been looking for. Prominy have opted for NI's Kontakt Player 2 playback engine to host the sizeable 64GB, 44.1kHz/24‑bit sample library that forms the heart of SCEG. Yes, it's big, particularly when compared to the 893MB library that drives RealStrat — but then the operational concepts behind SCEG are rather different.

And despite using disk streaming, SCEG demands sample memory. Lots of sample memory.

The requisite Kontakt Player 2 is supplied on Disc One of the 10‑disc set, and this needs to be installed if you don't already have it on your system. During the install, you are asked to choose the location of the core library, which you may prefer to be on an external hard drive. After that, it's time to make a nice pot of tea, grab some biccies and settle down with this month's issue of SOS while you copy across the nine dual‑layer DVDs. As with all Kontakt Player-hosted instruments, SCEG must be activated using the NI Service Centre application (also included on Disc One), after which it becomes accessible from the Kontakt Player's browser pane, along with any other previously activated Kontakt Player instruments you might own.

A High Velocity instrument, showing the four keyswitchable ranges. In order to reproduce convincingly realistic guitar performances, you need instantaneous access to many different articulations and playing techniques, all in real time. This is the main thrust of SCEG: to deliver a high degree of control and playability in live performance, as well as the speedy construction of authentic‑sounding guitar parts in a sequencing environment. The basic method used to accomplish this would seem to be fairly straightforward — all the required articulations are loaded into a Kontakt Player Multi as individual 'instruments', all responding to the same MIDI channel, and keyswitches are used to provide instant access to any of those articulations. Sounds simple in principle, doesn't it? But without more specific rules, notes could interconnect unnaturally or hang across each other, and inappropriate noises might trigger at the wrong times — in short, a train wreck!

The changes between articulations therefore need to be seamless and transparent. Let's examine how SCEG combines the various elements to create a unified and playable instrument, and how the different parts of the library are organised. Kontakt Player presents SCEG's sound library as two main categories: Instruments and Multis. The latter contains ready‑made, performable guitar setups (called Super Performance Multis, or SPMs) and full chord sets. The best way to appreciate what's going on under the hood is to load a Multi (the most RAM-efficient Multi) and check out what the component parts are doing.

The first menu choice we are presented with is 'bridge, middle, neck or switchable'. This gives an indication as to why SCEG's library is so large — every noise and articulation has been sampled three times over for each pickup, using a Strat that was specially modified with separate outputs for each pickup. This enabled each performance to be sampled from all three pickups simultaneously, then edited identically to guarantee phase accuracy between all three sets of samples. For our RAM's and our sanity's sake, we'll just choose a single pickup for now, and the 'SC_SPM_lite' Multi. Once loaded, Kontakt Player is populated with 24 different instruments (ie.