First of all, I'd recommend re-installing Sonar 8.5 Producer. That way you'll get all your VST instruments back for use in Cakewalk by Bandlab.

As far as free ones, there's loads about. I personally like these: Elektrostudio used to do a fantastic range of free analog emulations, but the website seems to have gone. You can get them at - actually is a great resource for loads of free VSTs. One of my favourite free VSTi's is Cobalt by Leslie Sanford. It's a bit like a Korg DW8000 / Kawai K3 crossover: GTG synths are also not bad: You can get a free Yamaha XG synth here: Note that most of these are 32 bit. I've personally not had issues with this, but some of them might not play well with Cakewalk's BitBridge. Investing in JBridge is a good option.

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How to Find Your Plugins in Sonar. Last updated on: 6/11/2018 7:46:26 AM. If you are trying to load your Waves plugins in Sonar but you cannot find them, follow these.

Kamikaze tlw Dexed - very good Yamaha DX7 emulator. Not quite as hard to program as the DX7, but still very complicated - FM synthesis tends to be like that. Luckily it comes with a lot of DX7 patches.

Was watching this the other day. FM has always put me off, but I'm starting to think again These two articles were the breakthrough for me in FM programming: Great article on how to approach programming an FM patch by focusing on each element of the sound: This page explores how to use modulator frequency ratios to create square wave, sawtooth etc. On the subject of FM synthesis and wandering a little off topic the iOS synth FM4 is a really easy to program FM synth.

Four operators rather than the DX’s six but it’s laid out really well visually and can do the FM bell, chime and pad sounds very well. It’s also very inexpensive, so long as you have an ipad of course. In hardware the Volca FM and Yamaha Reface DX also seem to have good interfaces.

Mind you it’s not hard to improve on the DX 7’s incredibly user-hostile minimalist single display and data slider plus a bunch of buttons approach. Lenovo Core i5 4460 Desktop PC (Windows 8 64 bit), Focusrite Scarlett 6i6, Nektar LX61 Keyboard MIDI Controller, Avantone Pro CV-12 tube condenser microphone, JBL LSR308 8' active monitor speakers. Cakewalk by Bandlab, Reason 7, NI Session Strings Pro, NI Strummed Acoustic Guitar, Miroslav Philharmonic, Auturia DX7 V, Garritan JABB 3, EZ Keys, EZ Drummer. 'I will create music the way I want to whether a million people are listening or no one is listening.' Dan Fogelberg, Singer/Songwriter-1951-2007.

I would say for the sheer number of free patches available, it is hard to beat Dexed (based on Yamaha DX-7) and Synth1 (based on Nord Lead). Synth1 has about 15,000 free patches available, and Dexed can load any DX-7 patches. The Amplesound P-Bass and Acoustic Guitar that Kamikaze mentioned are excellent, as well as the free Addictive Keys Grand Piano (only 4 octaves, but works very well on a 49 key controller)! The OB-Xd is a must have Oberheim emulation!

No on-board FX, but that's what FX chains in your DAW are for! The free synths from U-he (designer of Zebra, Diva, and Hive), such as Zebralette and Tyrell N6 are also must haves! There are also free versions of Native Instruments Kontakt and Reaktor, as well as free versions of IK Multimedia SampleTank 3 and Syntronik. All of these each come with a limited factory library with no expiration, so check them out! For free drums, I think that MT Power Drumkit 2 is a good go-to option.

Tyrell N6, new version 3, is a substractive synthesis virtual instrument which is very complete for a freeware. It features 2 oscillators (sine/tri/saw/square for the first one, saw/square for the second) plus a sub (square), plus a noise generator (white or pink).

To modulate the oscillators, there are a vibrato, a “pulse width” (which only affects the squares), a soft sync (which only works if the oscillators are detuned), a ring modulator with feedback. Oscillator 2 can be detuned. There’s a portamento, and that of oscillator 2 can be set offbeat for strange results. There’s a ringing filter that can be BP or LP/HP (you can get gradually from LP to HP using a MixSpread pot, providing unusual effect sounds in the in-between positions). Slope can be set to 12, 24 or 36 dB-per-octave.